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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Golden Ground 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11012
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Golden Ground 60 ml.
Italian Golden Ground A+B grounds enhance the natural beauty of the wood, protecting it indefinitely.
Italian Golden Ground A. Under exposure to ultraviolet radiation (natural or artificial), it transform the clear surface of the wood into an uniform and transparent golden cinnamon colour.
An excellent finish is obtained that highlights the wood’s natural resinous structures.
Italian Golden Ground B. It should always be applied after the component A of the system. It acts as colour printer and intensifies the resinous area, texture and natural light of the wood.
It stabilises the obtained ground colour by stopping the subsequent degradation of the wood to undesirable greyish colours (considering inside light conditions), which maintains the inherent aesthetic qualities of luminosity and texture of the wood indefinitely.
Dosage approx: 10 c.c. for violin / 35 c.c. for Cello / 75 c.c. for Double Bass
These grounds can be applied using both oil varnishes and alcohol varnishes. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Inprimitura Minerale 15 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11022
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Inprimitura Minerale 15 ml.
Imprimitura Minerale is a transparent ground formulated with mineral compounds that saturate, at the beginning, the pores of the wood, helping to improve the performance of the wood and, therefore, the instrument.
The vehicle used is the oleo-resinous component that facilitates the application of the mineral loads, protects the wood from external agents and provides great transparency and refraction.
The solid particles introduced together with the main vehicle of the varnish create different types of refractive indexes between the layers and the substrate (the wood itself), contributing to the dichromatic effect.
It can be diluted with linseed oil, walnut oil, white spirit, turpentine or lavender oil. To obtain the best results, only a very thin coat should be applied. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Doratura Minerale 15 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11033
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Doratura Minerale 15 ml.
Doratura Minerale is a ground that adds mineral compounds to the wood which enhances the instrument’s base golden shades and an oleo-resinous base that facilities its homogeneous and uniform application.
On the one hand, when a mineral stratum is introduced, the wood’s pores are saturated, which contributes to improving the wood’s features and protection. The colouring provided by these components introduces new nuances of colour and increases the luminosity of the final finish.
The distribution of the particle size of these minerals creates different refractive indexes levels between the layers and substrate (the wood itself), favouring the desired dichromatic effect.
On the other hand, the transparent vehicle used fixes these loads homogeneously and favors the correct levelling of the application. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Refractive Ground
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11041
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Refractive Ground
Refractive Ground deeply protects and illuminates the wood.
It is a transparent amber compound that provides a refractive index similar to wood. For that reason it enhances and highlights to the maximum the light refractive process generating an “optical effect of depth” on the wood’s surface, developing a “permanent wet effect” on the annual rings, as well as on their resinous and amorphous formations.
Its optimum penetration in the superficial layer of the wood avoids the saturation of the fibres, achieving an incomparable luminosity in depth. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Classical Amber Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13011
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Classical Amber Varnish 60 ml.
This varnish produces a beautiful, transparent, warm and resistant coating. It gives an optimum result to be combined with pigments, dyes and on glazes.
It makes the colours brighter giving depth, luminosity and incomparable solidity. It can be diluted with white spirit, turpentine and with OW Thinner (see “raw materials”).
Due to the quality of the oils used, they give the varnish excellent properties regarding levelling, drying and resistance to external agents. The physical properties of the finish will also depend on carrying out a correct curing or drying of the applied coating.
During drying, in addition to the evaporation of the solvents oxidation, oxidation reactions also occur with the oxygen in the air. This auto-oxidation is controlled in all our varnishes by a correct selection of secants that guarantee a homogeneous drying on the entire thickness of the applied coating.
We recommend drying our oil-based varnishes in an UV chamber. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13021
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Varnish 60 ml.
To enhance elasticity of the varnish layer.
New formulation of the original old Italian formulas, using historical and technical research for the development.
Complete range of grounds, varnishes and colours made of carefully selected high-quality raw materials bring out the light, warmth and natural beauty of the wood, while enhancing its acoustical properties. All components are compatibel to each other. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Brescia Brown Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13041
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Brescia Brown Varnish 60 ml.
This varnish has very similar characteristics to the Classical Amber Varnish. However, it is processed to give a deep and transparent brown colour in the style of the classical luthiers of the Brescia school.
It offers an optimum result to be combined with pigments, dyes and on glazes, as well as to heighten the colour of earlier coats. It can be diluted with white spirit, turpentine and with OW Thinner (see “raw materials”). |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Cremona Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13061
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Cremona Varnish 60 ml.
The ingredients used in Cremona Varnish, processed thickened Spanish turpentine, Baltic burnt amber, and top quality linseed oils, all help to enhance the suppleness, resistance and elasticity properties of the varnish. The hue of the layer is somewhat lighter than that of Classical Amber Varnish, but just as warm and luminous, obtaining an even more unctuous and prolonged application and achieving excellent leveling, drying and transparency parameters. Cremona Varnish can be diluted with linseed oil, Tung oil, spirit mineral, turpentine, lavender oil or with OW Thinner. |
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ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Weld – Indian yellow
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15011
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ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Weld – Indian yellow 8 ml.
Yellow pigment very stable with a vegetable origin (reseda luteola L). A very transparent, deep and luminous yellow pigment with a touch of orange
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ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Madder Lake Brown Red
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15041
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ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ
Madder Lake Brown Red 8 ml.
This is one of the most stable natural pigments, and for centuries it has been the most commonly used red dyes. |
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