Bravo Music everthing for string player
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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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˹éÒ·Õè 1    1 |
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7001

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 900,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Mahler ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7002

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari "Mahler" ¢¹Ò´ 42 «Á. ÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Galileo Chini ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7003

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari “Galileo Chini" ¢¹Ò´ 42 «Á. ÊÑ觷ÓÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Corrado Feroci ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7004

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari "Corrado Feroci" ¢¹Ò´ 42 «Á. ÊÑ觷ÓÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Mantegazza 1790 ¢¹Ò´ 40.8
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7005

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Mantegazza 1790 ¢¹Ò´ 40.8
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 900,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Gasparo Da Sal ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7006

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Gasparo Da Sal ¢¹Ò´ 42 «Á.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 900,000
ÇÔâÍÅÒÍÔµÒàÅÕ¹ Stefano Trabucchi ÃØè¹ Personal 2018
ÂÕèËéÍ: Stefano Trabucchi
ÃËÑÊ: VA6000

ÇÔâÍÅÒÍÔµÒàÅÕ¹ Stefano Trabucchi ·Ã§ Stradivari ÃØè¹ Personal 2018 ¢¹Ò´ 16 ¹ÔéÇ
á¼è¹Ë¹éҷӨҡʹäÁéÍÔµÒàÅÕ¹
á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁé àÁà»ÔéÅá¼è¹à´ÕÂÇ
Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Madagascar Ebony
¢ÒÃÑ´·ÕèÃͧ¤Ò§·Ó¨Ò¡ÇÑÊ´Øä··Òà¹ÕÂÁ
ªØ´ Fitting (ÅÙ¡ºÔ´, ËÒ§»ÅÒ, ·ÕèÃͧ¤Ò§) ·Ó¨Ò¡äÁéÍÔµÒàÅÕ¹ ºêÍ¡«ìÇÙ´ (Italian Boxwood Darkness & Lightness) à¾×èÍãËéà¡Ô´ÁԵԢͧàÊÕ§·Õè¹ØèÁáÅÐËÇÒ¹
¾ÃéÍÁãºÃѺÃͧ¨Ò¡ªèÒ§ Certificate

Stefano Trabucchi was born on Febbruary 5th, 1970 in Sondrio Italy in a family of musicians. When I was 8 years old I started to play the violin and, since then I’ve been attracted and fascinated by this instrument and consequently by lutherie and its secrets.
That’s the reason why, at 14, I enrolled in the International School of Lutherie “A. Stradivari”, where I graduated in 1988 gaining full marks.

Immediately after the diploma, I integrated in Master Nolli’s workshop where I learned all the tricks of the trade.

As I finished my internship in 1992, I opened my own workshop at Via Bella Rocca14, in the centre of Cremona. Here, by practicing constantly, I’ve improved and perfected my skills, in particular as for the construction of the classical quartet (violin, viola, cello).

I’ve also made some Baroque instruments, such as a pochette (directly inspired by Stradivari’s models) and violas d’amore.

Stradivari’s tradition, its features and models are my main inspiration. In addition to traditional modern instruments, I’ve focused my production on making copies of ancient instruments.

My creations are appreciated worldwide, especially in the USA, Japan, Germany, and Italy of course.

My company is a sole trader and registered at the Craftsmen Register of Cremona Chamber of Commerce.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 800,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Stefano Trabucchi ·Ã§ Stradivari ÃØè¹ Personalizzato 2023
ÂÕèËéÍ: Stefano Trabucchi
ÃËÑÊ: VN5050

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Stefano Trabucchi ·Ã§ Stradivari 1715 ÃØè¹ Personalizzato 2023
á¼è¹Ë¹éҷӨҡʹäÁéÍÔµÒàÅÕ¹
á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁé àÁà»ÔéÅá¼è¹à´ÕÂÇ
Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Madagascar Ebony
¾ÃéÍÁãºÃѺÃͧ¨Ò¡ªèÒ§ Certificate

Stefano Trabucchi was born on Febbruary 5th, 1970 in Sondrio Italy in a family of musicians. When I was 8 years old I started to play the violin and, since then I’ve been attracted and fascinated by this instrument and consequently by lutherie and its secrets.
That’s the reason why, at 14, I enrolled in the International School of Lutherie “A. Stradivari”, where I graduated in 1988 gaining full marks.

Immediately after the diploma, I integrated in Master Nolli’s workshop where I learned all the tricks of the trade.

As I finished my internship in 1992, I opened my own workshop at Via Bella Rocca14, in the centre of Cremona. Here, by practicing constantly, I’ve improved and perfected my skills, in particular as for the construction of the classical quartet (violin, viola, cello).

I’ve also made some Baroque instruments, such as a pochette (directly inspired by Stradivari’s models) and violas d’amore.

Stradivari’s tradition, its features and models are my main inspiration. In addition to traditional modern instruments, I’ve focused my production on making copies of ancient instruments.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹

ÃÒ¤Ò : 700,000


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ÇÔâÍÅÒ Villa Marcello copy Amati ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Villa Marcello
ÃËÑÊ: VA7000

ÇÔâÍÅÒ Villa Marcello copy Amati ¢¹Ò´ 16.2 ¹ÔéÇ

Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studing the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.

He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.

Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.

Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).

Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.

All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 750,000
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