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ÊÕà¢ÕÂÇ COLOR EXTRACT GREEN ¢¹Ò´ 100 ml
ÂÕèËéÍ: JOHA
ÃËÑÊ: VTV2909-5
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ÊÕà¢ÕÂÇ COLOR EXTRACT àËÁÒÐÊÓËÃѺŧÊÕà¤Å×ͺà§Òº¹¾×é¹¼ÔÇ·ÕèäÁèÁÕÊÕ ÊÒÁÒöà»ÅÕè¹ÊÕà¤Å×ͺà§Òä´éµÒÁ¤ÇÒÁµéͧ¡Òâͧ¤Ø³â´Âà¾ÔèÁÊÒÃÊ¡Ñ´ÊÕà¾Õ§äÁè¡ÕèË´ ÊÒÃÊ¡Ñ´ÊÕÊÒÁÒö¼ÊÁ¡Ñ¹ä´éäÁèÂÒ¡ ÊÒÁÒö customize ÊÕä´é´éǵ¹àͧáÅÐÂѧŧÇÒ¹Ôªä´éÍÂèÒ§§èÒ´Ò |
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ÊÕ¹éÓà§Ô¹ COLOR EXTRACT BLUE ¢¹Ò´ 100 ÁÅ.
ÂÕèËéÍ: JOHA
ÃËÑÊ: VTV2910-5
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ÊÕ¹éÓà§Ô¹ COLOR EXTRACT àËÁÒÐÊÓËÃѺŧÊÕà¤Å×ͺà§Òº¹¾×é¹¼ÔÇ·ÕèäÁèÁÕÊÕ ÊÒÁÒöà»ÅÕè¹ÊÕà¤Å×ͺà§Òä´éµÒÁ¤ÇÒÁµéͧ¡Òâͧ¤Ø³â´Âà¾ÔèÁÊÒÃÊ¡Ñ´ÊÕà¾Õ§äÁè¡ÕèË´ ÊÒÃÊ¡Ñ´ÊÕÊÒÁÒö¼ÊÁ¡Ñ¹ä´éäÁèÂÒ¡ ÊÒÁÒö customize ÊÕä´é´éǵ¹àͧáÅÐÂѧŧÇÒ¹Ôªä´éÍÂèÒ§§èÒ´Ò |
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ªØ´·ÒÊÕÇÒ¹Ôªª¹Ô´¹éÓÁѹ - ÇÒ¹Ôª»ÃÐàÀ· 1 ÊÓËÃѺäÇâÍÅÔ¹ ÊÕ Golden Brown
ÂÕèËéÍ: JOHA
ÃËÑÊ: VTV8120-6
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ªØ´ÇÒ¹Ôªà¤Å×ͺà§ÒäÇâÍÅÔ¹ (Oil Varnish) Ẻ¤ÃºÇ§¨Ã
ÊÒÁÒöãªéä´éã¹¢Ñ鹵͹¡ÒÃà¤Å×ͺà§ÒäÇâÍÅÔ¹ ÂéÍÁÊÕ ä»¨¹¶Ö§¡ÒâѴà§Ò ÊÒÃà¤Å×ͺà§Ò¤Ø³ÀÒ¾´Õ ÊÒÁÒö·ÒÊÕä´é´ÕáÅЧèÒµèÍ¡ÒÃãªé§Ò¹
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¡ÃдÒÉ·ÃÒÂÊÓËÃѺ§Ò¹äÁé,gelatin (pre-stain), Antique stain 421, Staining sponge,primer varnish, varnish, in the color you wish, coating varnish, dilution, Grip poilsh, Varnishing brush, rottenstone to grind, polishing oil, varnish cleaner, Polish |
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ªØ´·ÒÊÕÇÒ¹Ôªª¹Ô´¹éÓÁѹ - ÇÒ¹Ôª»ÃÐàÀ· 1 ÊÓËÃѺäÇâÍÅÔ¹ ÊÕ Dark Brown
ÂÕèËéÍ: JOHA
ÃËÑÊ: VTV8120-9
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ªØ´ÇÒ¹Ôªà¤Å×ͺà§ÒäÇâÍÅÔ¹ (Oil Varnish) Ẻ¤ÃºÇ§¨Ã
ÊÒÁÒöãªéä´éã¹¢Ñ鹵͹¡ÒÃà¤Å×ͺà§ÒäÇâÍÅÔ¹ ÂéÍÁÊÕ ä»¨¹¶Ö§¡ÒâѴà§Ò ÊÒÃà¤Å×ͺà§Ò¤Ø³ÀÒ¾´Õ ÊÒÁÒö·ÒÊÕä´é´ÕáÅЧèÒµèÍ¡ÒÃãªé§Ò¹
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¡ÃдÒÉ·ÃÒÂÊÓËÃѺ§Ò¹äÁé,gelatin (pre-stain), Antique stain 421, Staining sponge,primer varnish, varnish, in the color you wish, coating varnish, dilution, Grip poilsh, Varnishing brush, rottenstone to grind, polishing oil, varnish cleaner, Polish |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Golden Ground 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11012
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Golden Ground 60 ml.
Italian Golden Ground A+B grounds enhance the natural beauty of the wood, protecting it indefinitely.
Italian Golden Ground A. Under exposure to ultraviolet radiation (natural or artificial), it transform the clear surface of the wood into an uniform and transparent golden cinnamon colour.
An excellent finish is obtained that highlights the wood’s natural resinous structures.
Italian Golden Ground B. It should always be applied after the component A of the system. It acts as colour printer and intensifies the resinous area, texture and natural light of the wood.
It stabilises the obtained ground colour by stopping the subsequent degradation of the wood to undesirable greyish colours (considering inside light conditions), which maintains the inherent aesthetic qualities of luminosity and texture of the wood indefinitely.
Dosage approx: 10 c.c. for violin / 35 c.c. for Cello / 75 c.c. for Double Bass
These grounds can be applied using both oil varnishes and alcohol varnishes. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Inprimitura Minerale 15 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11022
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Inprimitura Minerale 15 ml.
Imprimitura Minerale is a transparent ground formulated with mineral compounds that saturate, at the beginning, the pores of the wood, helping to improve the performance of the wood and, therefore, the instrument.
The vehicle used is the oleo-resinous component that facilitates the application of the mineral loads, protects the wood from external agents and provides great transparency and refraction.
The solid particles introduced together with the main vehicle of the varnish create different types of refractive indexes between the layers and the substrate (the wood itself), contributing to the dichromatic effect.
It can be diluted with linseed oil, walnut oil, white spirit, turpentine or lavender oil. To obtain the best results, only a very thin coat should be applied. |
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Doratura Minerale 15 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11033
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Doratura Minerale 15 ml.
Doratura Minerale is a ground that adds mineral compounds to the wood which enhances the instrument’s base golden shades and an oleo-resinous base that facilities its homogeneous and uniform application.
On the one hand, when a mineral stratum is introduced, the wood’s pores are saturated, which contributes to improving the wood’s features and protection. The colouring provided by these components introduces new nuances of colour and increases the luminosity of the final finish.
The distribution of the particle size of these minerals creates different refractive indexes levels between the layers and substrate (the wood itself), favouring the desired dichromatic effect.
On the other hand, the transparent vehicle used fixes these loads homogeneously and favors the correct levelling of the application. |
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