|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler DAVID 100 Çѵµì Wood
ÂÕèËéÍ: Schertler
ÃËÑÊ: EAA14W
|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler DAVID 100 Çѵµì Wood
DAVID becomes the second member of Schertler's "next generation" acoustic amplifier series. This newly-designed 3-channel amp, combines a wealth of new features and updated technology with a new "look".
DAVID's inputs will accommodate a microphone, an instrument and a stereo device such as a computer, MP3 player or CD. The instrument input and the Jack input on the microphone channel both feature a Bootstrap technology that enables the input to automatically adapt to any impedance.
Some of the new DAVID amplifier's new features include: three channels, a range of controls including gain, switchable resonance (notch) filter, adjustable DI Out in the master section, mute switch and overload LED for each channel. A new digital reverb replaces the spring one found in the original David models.
DAVID is also equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).
¤Ø³Åѡɳзҧ෤¹Ô¤
¹éÓ˹ѡ 10 kg (22.04lb)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 29.5x25.5x35.5 «Á.
ÂèÒ¹¤ÇÒÁ¶ÕèµÍºÊ¹Í§ 50 Hz to 30 kHz (+/-3dB)
ÅÓ⾧ 1 ¹ÔéÇ dome tweeter áÅÐ 6 ¹ÔéÇ woofer
â¤Ã§ÊÃéÒ§·Ó¨Ò¡äÁé Plywood
ªèͧÊÑÒ³¢Òà¢éÒÍÔÊÃÐ 3 ªèͧ
ªèͧÊÑÒ³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑÒ³·Õè 2 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑÒ³·Õè 3 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑÒ³¢ÒÍÍ¡ DI, LINE
»ØèÁ Phantom Power 24 - 33 âÇŵì , 10 âÇÅµì º¹ ªèͧÊÑÒ³·Õè2 áÅÐ 10 âÇÅµì º¹ªèͧÊÑÒ³·Õè 1
»ØèÁ Effect Digital reverb
Preamp Class-A
Power 100 Çѵµì Bi-amplified |
|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ JAM200 Çѵµì Anthracite Class-A Amplifier
ÂÕèËéÍ: Schertler
ÃËÑÊ: EAA15A
|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ JAM200 Çѵµì Anthracite
JAM becomes the third member of Schertler’s next generation acoustic amplification series. The new 5-channel all-rounder combines a comprehensive feature set with the updated technology and enhanced look that defines all the models in this latest range.
Equipped with a 1 dome tweeter and 8 woofer, and featuring an optimized 2-way bass reflex construction, JAM offers 200W (150W + 50W) of bi-amplified power. The amplifier includes a balanced microphone (XLR) input, an unbalanced mic/instrument input and an input offering both balanced microphone and unbalanced mic/instrument options. Both instrument inputs feature a Bootstrap technology that enables the input to automatically adapt to any impedance. A separate stereo input channel will additionally accommodate devices such as a computers, MP3 or CD/DVD players. A 5th FX Return channel can also be used for inputting line level devices.
The 3 main microphone/instrument input channels include a Gain control for input sensitivity regulation and 3-band EQ, with parametric mids on input channels 1 and 3 and a switchable resonance (notch) filter (240Hz/150Hz) on channel 2. Phantom power is supplied for condenser and electrostatic microphones. Each of these channels also features an overload LED. Channel 1 is additionallyequipped with a phase reverse switch to prevent feedback, or unwanted effects between the various channels.
JAM’s Master Section controls include a new adjustable DI Out, a new Mute button, a Line Out enabling the connection of externalsystems, a digital reverb and an Insert for connecting an external dynamics processor. Connection options are further enhanced with an Aux Out (Channel 1) that also enables connection to other systems. A Low Cut filter (cutting frequencies below 180Hz) can be used with instruments that generate aggressive low frequencies. This also enables a separate subwoofer to be connected without causing any damage to the amplifier. JAM is additionally equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).
Amplifiers are available in a choice of wood or anthracite finishes. The more delicate wood finish is perfect for studio or home use, blending with a range of room interiors. The anthracite finish is designed for performance and touring applications, where a more robust exterior finish is required.
¤Ø³Åѡɳзҧ෤¹Ô¤
Class-A Amplifier
¹éÓ˹ѡ 12.2 ¡¡. (26.89»Í¹´ì)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 32.4x29.7x38 «Á.
Frequency Response 50 Hz to 20 kHz (+/-3dB)
Speakers 1 dome tweeter, 8 woofer
Construction Plywood
ªèͧÊÑÒ³¢Òà¢éÒÍÔÊÃÐ 5 ªèͧ
ªèͧÊÑÒ³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑÒ³·Õè 2 áÅÐ 3 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑÒ³·Õè 4 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑÒ³·Õè 5 ÁÕ 2 ªèͧ à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ.
ªèͧÊÑÒ³¢ÒÍÍ¡ÁÕ 3 ªèͧà»ç¹áºº DI, LINE, AUX
ÁÕ»ØèÁ Phantom Power 10¤Ø³Åѡɳзҧ෤¹Ô¤
¹éÓ˹ѡ 12.2 ¡¡. (26.89»Í¹´ì)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 32.4x29.7x38 «Á.
ÂèÒ¹¤ÇÒÁ¶ÕèµÍºÊ¹Í§ 50 Hz to 20 kHz (+/-3dB)
ÅÓ⾧ 1 ¹ÔéÇ dome tweeter áÅÐ ÅÓ⾧ 8 ¹ÔéÇ woofer
â¤Ã§ÊÃéÒ§·Ó¨Ò¡äÁé Plywood
ªèͧÊÑÒ³¢Òà¢éÒÍÔÊÃÐ 5 ªèͧ
ªèͧÊÑÒ³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑÒ³·Õè 2 áÅÐ 3 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑÒ³·Õè 4 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑÒ³·Õè 5 ÁÕ 2 ªèͧ à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ.
ªèͧÊÑÒ³¢ÒÍÍ¡ÁÕ 3 ªèͧà»ç¹áºº DI, LINE, AUX
ÁÕ»ØèÁ Phantom Power 10 âÇÅµì º¹ªèͧÊÑÒ³ 1, 24 âÇŵì áÅÐ 10 âÇÅµì º¹ªèͧÊÑÒ³·Õè 2 , 24 âÇÅµì º¹ 3 ªèͧÊÑÒ³
ÁÕ»ØèÁ Effect Digital reverb ¾ÃéÍÁ Delay
Preamp Class-A
ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 200 Çѵµì Bi-amplifie
Preamp Class-A
ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 200 Çѵµì Bi-amplified |
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡ Schertler ÃØè¹ JAM200 Çѵµì Wood Class-A Amplifier
ÂÕèËéÍ: Schertler
ÃËÑÊ: EAA15W
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡ Schertler ÃØè¹ JAM200 Çѵµì
JAM becomes the third member of Schertler’s “next generation” acoustic amplification series. The new 5-channel “all-rounder” combines a comprehensive feature set with the updated technology and enhanced “look” that defines all the models in this latest range.
Equipped with a 1” dome tweeter and 8” woofer, and featuring an optimized 2-way bass reflex construction, JAM offers 200W (150W + 50W) of bi-amplified power. The amplifier includes a balanced microphone (XLR) input, an unbalanced mic/instrument input and an input offering both balanced microphone and unbalanced mic/instrument options. Both instrument inputs feature a Bootstrap technology that enables the input to automatically adapt to any impedance. A separate stereo input channel will additionally accommodate devices such as a computers, MP3 or CD/DVD players. A 5th FX Return channel can also be used for inputting line level devices.
The 3 main microphone/instrument input channels include a Gain control for input sensitivity regulation and 3-band EQ, with parametric mids on input channels 1 and 3 and a switchable resonance (notch) filter (240Hz/150Hz) on channel 2. Phantom power is supplied for condenser and electrostatic microphones. Each of these channels also features an overload LED. Channel 1 is additionallyequipped with a phase reverse switch to prevent feedback, or unwanted effects between the various channels.
JAM’s Master Section controls include a new adjustable DI Out, a new Mute button, a Line Out enabling the connection of externalsystems, a digital reverb and an Insert for connecting an external dynamics processor. Connection options are further enhanced with an Aux Out (Channel 1) that also enables connection to other systems. A Low Cut filter (cutting frequencies below 180Hz) can be used with instruments that generate aggressive low frequencies. This also enables a separate subwoofer to be connected without causing any damage to the amplifier. JAM is additionally equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).
¤Ø³Åѡɳзҧ෤¹Ô¤
Class-A Amplifier
¹éÓ˹ѡ 12.2 ¡¡. (26.89»Í¹´ì)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 32.4x29.7x38 «Á.
ÂèÒ¹¤ÇÒÁ¶ÕèµÍºÊ¹Í§ 50 Hz to 20 kHz (+/-3dB)
ÅÓ⾧ 1 ¹ÔéÇ dome tweeter áÅÐ ÅÓ⾧ 8 ¹ÔéÇ woofer
â¤Ã§ÊÃéÒ§·Ó¨Ò¡äÁé Plywood
ªèͧÊÑÒ³¢Òà¢éÒÍÔÊÃÐ 5 ªèͧ
ªèͧÊÑÒ³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑÒ³·Õè 2 áÅÐ 3 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑÒ³·Õè 4 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑÒ³·Õè 5 ÁÕ 2 ªèͧ à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ.
ªèͧÊÑÒ³¢ÒÍÍ¡ÁÕ 3 ªèͧà»ç¹áºº DI, LINE, AUX
ÁÕ»ØèÁ Phantom Power 10V º¹ªèͧÊÑÒ³ 1, 24 âÇŵì áÅÐ 10âÇŵ캹ªèͧÊÑÒ³·Õè 2 , 24âÇÅµì º¹ 3 ªèͧÊÑÒ³
ÁÕ»ØèÁ Effect Digital reverb ¾ÃéÍÁ Delay
Preamp Class-A
ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 200 Çѵµì Bi-amplified |
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡ Schertler ÃØè¹ Roy ¡ÓÅѧ¢Ñº 400 Çѵµì ÊÕ´Ó
ÂÕèËéÍ: Schertler
ÃËÑÊ: SPA44A
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡ Schertler ÃØè¹ Roy ¡ÓÅѧ¢Ñº 400 Çѵµì ÊÕ´Ó
ROY - Schertler Group’s new top-of-the-range combo amplifier for acoustic instruments. This 400W, 7-channel amp provides a powerful yet comparatively lightweight system that is perfect for both stage and studio. Equipped with a 1” horn, two 8” subwoofers and featuring the same hi-end Class A preamp found in other Schertler amplifiers, ROY delivers the rich, high-quality sound that has become synonymous with this product family, while providing the user with even greater flexibility.
ROY has 4 input channels with various mic / instrument combinations, un i n s e r t (as on a professional mixer), 3-band EQ and phantom power; an additional unbalanced instrument input channel; a stereo input channel for playback devices and an FX return / additional input channel. ROY’s Master section includes both a digital reverb with decay and a new digital Multi-Effect (on a separate buss). This intuitive control surface provides a comprehensive mixing facility for easy set-up and on-stage adjustments during performances.
Highly effective as a stand-alone portable amplification system for soloists or small groups, ROY also offers a range of output options for connecting to external systems: Add a separate subwoofer to enhance the low frequency ranges of certain instruments, or to create a compact 3-way active PA system. Connect to a mixing console for larger-scale applications. The addition of a headphone preamp provides a handy monitoring facility for both live performance and recording applications, making ROY a powerful and practical “all rounder”.
Amplifiers are available in a choice of wood or anthracite finishes. The more delicate wood finish is perfect for studio or home use, blending with a range of room interiors. The anthracite finish is designed for performance and touring applications, where a more robust exterior finish is required.
Weight 22.2 kg (48.5lb)
Dimensions 35.7x41.5x51cm
Frequency Response 40 Hz to 20 kHz (+/-3dB)
Speakers 1” dome tweeter, 2x 8” woofer
Construction Birch laminated
Channels 7 indipendent channels
Inputs Mic In (channel 1-4) XLR
Instrument In (channel 3-5) 6.3mm Jack
Stereo In (channel 6-7) 3.5mm Jack and 6.3mm Jack
Insert (channel 1-4) and on master
Outputs DI, LINE, AUX and Insert (channel 1-4) and on master
Phantom Power 10V on Channel 3-5, 48V on Channel 1-4
Effect Digital reverb with Decay and parallel Multieffect
Preamp Class-A |
|
|
|
|
µÙéáÍÁ»ìͤÙʵÔ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ Roy ¡ÓÅѧ¢Ñº 400 Çѵµì ÊÕà¹×éÍäÁé
ÂÕèËéÍ: Schertler
ÃËÑÊ: SPA44W
|
|
|
|
µÙéáÍÁ»ìͤÙʵÔ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ Roy ¡ÓÅѧ¢Ñº 400 Çѵµì
ROY - Schertler Group’s new top-of-the-range combo amplifier for acoustic instruments. This 400W, 7-channel amp provides a powerful yet comparatively lightweight system that is perfect for both stage and studio. Equipped with a 1” horn, two 8” subwoofers and featuring the same hi-end Class A preamp found in other Schertler amplifiers, ROY delivers the rich, high-quality sound that has become synonymous with this product family, while providing the user with even greater flexibility.
ROY has 4 input channels with various mic / instrument combinations, un i n s e r t (as on a professional mixer), 3-band EQ and phantom power; an additional unbalanced instrument input channel; a stereo input channel for playback devices and an FX return / additional input channel. ROY’s Master section includes both a digital reverb with decay and a new digital Multi-Effect (on a separate buss). This intuitive control surface provides a comprehensive mixing facility for easy set-up and on-stage adjustments during performances.
Highly effective as a stand-alone portable amplification system for soloists or small groups, ROY also offers a range of output options for connecting to external systems: Add a separate subwoofer to enhance the low frequency ranges of certain instruments, or to create a compact 3-way active PA system. Connect to a mixing console for larger-scale applications. The addition of a headphone preamp provides a handy monitoring facility for both live performance and recording applications, making ROY a powerful and practical “all rounder”.
Amplifiers are available in a choice of wood or anthracite finishes. The more delicate wood finish is perfect for studio or home use, blending with a range of room interiors. The anthracite finish is designed for performance and touring applications, where a more robust exterior finish is required.
Weight 22.2 kg (48.5lb)
Dimensions 35.7x41.5x51cm
Frequency Response 40 Hz to 20 kHz (+/-3dB)
Speakers 1” dome tweeter, 2x 8” woofer
Construction Birch laminated
Channels 7 indipendent channels
Inputs Mic In (channel 1-4) XLR
Instrument In (channel 3-5) 6.3mm Jack
Stereo In (channel 6-7) 3.5mm Jack and 6.3mm Jack
Insert (channel 1-4) and on master |
|
|
|
|
µÙéáÍÁ»ì SR Technology ÃØè¹ JAMBO200 ¡ÓÅѧ¢Ñº 200 Çѵµì
ÂÕèËéÍ: SR Technology
ÃËÑÊ: EAA11
|
|
|
|
µÙéáÍÁ»ì SR Technology ÃØè¹ JAMBO200 ¡ÓÅѧ¢Ñº 200 Çѵµì
JAMBO 200 includes all the distinctive features of a product that is unique among speakers of its kind, housed in an elegant and compact chassis. The Class-D digital switching amplifier, especially designed and manufactured by SR TECHNOLOGY, delivers a crisp, powerful sound typical of all SR products, and offers a sharp and extremely brilliant frequency response. Moreover, the mixer section includes a total of 5 microphone and line inputs, in addition to a line output. Finally, the two rear-end slots that can house a CD drive or a radio microphone receiver (both optional), make JAMBO a truly unique product and an extremely versatile audio workstation!
Frequency response 40 Hz- 20 kHz
Sensitivity (1W-1m) 93 db
SPL max 110 db
System Format 2-way mono amp
Woofer 8
Tweeter Compression tweeter
Max Power Out 150W RMS
Crossover passive
Connections XLR mic in (2), JACK line
in (6) RCA line in (2), RCA line out (2),
SLOT for expansions (2
Controls Hi-Mid-Low-Vol (Ch 1-2-3-4),
Hi-Low-Vol (Ch 5), GND/LIFT, MASTER
Box 2 way bass reflex
Horn Compression tweeter
Construction Plywood
Weight Kg 16
Dimensions (WxDxH) 288x420x400 mm |
|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì SR Technology ÃØè¹ K200 ¡ÓÅѧ¢Ñº 200 Çѵµì
ÂÕèËéÍ: SR Technology
ÃËÑÊ: EAA12
|
|
|
|
µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì SR Technology ÃØè¹ K200 ¡ÓÅѧ¢Ñº 200 Çѵµì
K200 is the result of SR’s extensive experience in the field of compact amplification. The specially designed Class D switching amplifier produces a brilliant, well-defined sound. Thanks to the onboard mixer located on the top section, K200 is the ideal solution for amplifying various types of instruments and equipment such as keyboards, CD or MP3 drives and microphones, including condenser microphones that require phantom power, and yields a rich, full overall sound. Moreover, the DIRECT OUT output allows for connecting K200 to other systems, while the REC OUT output is specifically designed for connection to a recorder. The internal reverberation, which can be assigned independently to the first three channels, enriches the sound with realism and depth.
Frequency response 40 Hz- 20 kHz
Sensitivity (1W-1m) 93 db
SPL max 115 db
System Format 2-way mono amp
Woofer 8
Tweeter Compression tweeter
Max Power Out 150W RMS
Crossover passive
Connections XLR mic in (2), JACK line
in (4), RCA line in (2), RCA line out (2),
XLR direct out
Controls Hi-Mid-Low-Eff-Vol (Ch 1-2-3),
Hi-Low-Vol (Ch 4), Eff RTN, REC
Box 2 way bass reflex
Construction Plywood
Weight Kg 13
Dimensions (WxDxH) 270x360x400 mm |
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡÊÓËÃѺ´ÑºàºÔÅàºÊ LAFARO 280 Çѵµì
ÂÕèËéÍ: Schertler
ÃËÑÊ: EAA07
|
|
|
|
µÙéáÍÁ»ìͤÙʵԡÊÓËÃѺ´ÑºàºÔÅàºÊ LAFARO Deluxe 280 Çѵµì
Specification (¤Ø³ÅѡɳÐ)
- ÂèÒ¹¤ÇÒÁ¶Õè·ÕèµÍºÊ¹Í§ 30 Hz to 20 kHz (+/-3dB)
- ¹éÓ˹ѡ: 19.10 ¡ÔâÅ¡ÃÑÁ – 42.10 »Í¹´ì
- ¢¹Ò´: 26 x 42 x 50 ૹµÔàÁµÃ - 10.23 x 16.53 x 19.7 ¹ÔéÇ
- ÅÓ⾧ Doom Tweeter ¢¹Ò´ 1 ¹ÔéÇ áÅÐ ÅÓ⾧ Woofer 2 ÅÓ⾧ ¢¹Ò´ 8 ¹ÔéÇ
- 2 ªèͧÊÑÒ³ (2 Stereo)
- ªèͧÊÑÒ³ ¢Òà¢éÒ XLR - 3 ªèͧ ªèͧÊÑÒ³ ¢ÒÍÍ¡ XLR - 3 ªèͧ
- ªèͧÊÑÒ³ TRS - 5 ªèͧ
- ªèͧÊÑÒ³¢ÒÍÍ¡: master di, line, aux, dry out º¹áµèÅЪèͧÊÑÒ³ÊÓËÃѺ effect loop
- ÁÕÃкº anti-feedback control
- ÁÕ»ØèÁ¡´ Phantom power 48v º¹ªèͧÊÑÒ³·Õè 1 (MIC)
- ÁÕ»ØèÁ¡´ 10V º¹ªèͧÊÑÒ³·Õè 2 (instrument)
- ÁÕ»ØèÁ»ÃѺáµè§àÊÕ§ Active Filters EQ 5 »ØèÁ
- ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 280 Watts bi-amplified
- Preamp CLASS-A – no integrated circuits
|
|
|
|
|
¡ÃÐà»ëÒãÊèµÙéáÍÁ»ì Schertler ÃØè¹ Unico CLASSIC
ÂÕèËéÍ: Schertler
ÃËÑÊ: CA02
|
|
|
|
¡ÃÐà»ëÒãÊèµÙéáÍÁ»ìͤÙʵԡ Schertler ÃØè¹ Unico CLASSIC
Heavy duty padded gig bag for Schertler Unico/Side.
Includes carrying handle, gusset pocket and shoulder strap. |
|
|
|
|
