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| ¾º¢éÍÁÙÅ·Ñé§ËÁ´275 ÃÒ¡Òà |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Louis XIV Niccolo Amati 1656 Rep. by Vittorio Villa
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5014
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Louis XIV Niccolo Amati 1656
a replica of the famous
Niccolo Amati 1656 King Louis XIV
made in 2005 by Vittorio Villa
an inlaid violin made by Vittorio Villa in 2005
Born in Monza in 1961, Vittorio Villa has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras such as the orchestra of the Verona Arena and the Angeli cum orchestra of Milan.
He obtained the Diploma of violin maker at the International Violin-making School of Cremona under the guidance of his brother Marcello Villa.
Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship.
Vittorio Villa, finalist in several Italian and international violin making competitions (City of Bagnacavallo, A. Stradivari Cremona, City of Baveno), prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. His varnish is of a transparent dark-orange color. At present working with his brother Marcello Villa in their Cremona workshop, he also at times still plays in local chamber ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹Vittorio Villa ·Ã§ Stradivari 1679 Hellier model
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5015
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹Vittorio Villa ·Ã§ Stradivari 1679 Hellier model
Vittorio Villa Born in Monza in 1961, Vittorio Villa has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras such as the orchestra of the Verona Arena and the Angeli cum orchestra of Milan.
He obtained the Diploma of violin maker at the International Violin-making School of Cremona under the guidance of his brother Marcello Villa.
Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship.
Vittorio Villa, finalist in several Italian and international violin making competitions (City of Bagnacavallo, A. Stradivari Cremona, City of Baveno), prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. His varnish is of a transparent dark-orange color. At present working with his brother Marcello Villa in their Cremona workshop, he also at times still plays in local chamber ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa Personalinato 2014 ·Ã§ Stradivari 1715
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5023
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa Personalinato 2014 ·Ã§ Stradivari 1715
Top: Italian Maple
Back & Side: Bosnian Maple
Finger board: Madagascan Ebony
Fitting Rose Wood hand made by Vittorio
Spirit Vanish formula by Villa Family
With Certificate
Vittorio Villa was born in Monza in 1961. He has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras. He graduated in 1992 at the International School of Violin-making in Cremona. Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship. Vittorio Villa, finalist in several Italian and international violin making competitions, prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. He also at times still plays in local chamber ensembles. Baroque-specialised musicians have shown great interest in his period instruments: viola d'amore, viola da gamba, pochette, lira da braccio, baroque violin, baroque viola, baroque cello
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÂØâûà¡èÒ Adolf Zophel, Magdeburg 1910
ÂÕèËéÍ: Adolf Zophel
ÃËÑÊ: VN010A
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äÇâÍÅÔ¹àÂÍÃÁѹà¡èÒ Adolf Zophel, Magdeburg 1910
¼ÅÔµâ´Â Adolf Zophel ·ÕàÁ×ͧ Magdeburg ÊÀÒ¾ 98% ¨Ñ´à»ç¹äÇâÍÅÔ¹ Master ¨Ò¡»ÃÐà·ÈàÂÍÃÁѹ·ÕèÁդسÀÒ¾àÊÕ§·Õè´ÕµÑÇ˹Öè§ã¹ÈµÇÃÃÉ·Õè 19
ÊÀÒ¾¢Í§äÇâÍÅÔ¹¹Ñ鹶×Íà»ç¹ÊÔè§ÊÓ¤ÑÍÂèÒ§ÂÔè§ÊÓËÃѺ¼Ùé·Õè«×éÍäÇâÍÅÔ¹à¡èÒ ËÒ¡µéͧ¡ÒÃÊͺ¶ÒÁ¢Íà·ç¨¨ÃÔ§à¡ÕèÂǡѺ¡Òë×éÍäÇâÍÅÔ¹à¡èÒ¨Ò¡»ÃÐà·Èã¹á¶ºÂØâû ·Ò§ÃéÒ¹ÂÔ¹´ÕãËé¤Ó»ÃÖ¡ÉÒ à¹×èͧ¨Ò¡ã¹»Ñ¨¨ØºÑ¹ÁÕ¡Òë×éÍ¢ÒÂäÇâÍÅÔ¹à¡èÒ¨Ò¡¤ÃÙ¼ÙéÊ͹à»ç¹¨Ó¹Ç¹ÁÒ¡ «Öè§ÁÕ·Ñ駢ͧ¨ÃÔ§áÅлÅÍÁÍÂÙèã¹µÅÒ´ÁÒ¡ÁÒ ´Ñ§¹Ñé¹ËÒ¡äÁèá¹èã¨ÇèÒ¡ÒÃŧ·Ø¹¢Í§·èÒ¹ÊÁà˵ØÊÁ¼ÅËÃ×ÍäÁè¡ÃسҵÃǨÊͺ¡è͹¡ÒõѴÊÔ¹ã¨
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ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èҤѴàÅ×Í¡â´Â Bernadel »Õ1900 ·Ã§ Strad
ÂÕèËéÍ: Bernadel
ÃËÑÊ: VN009A
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èҤѴàÅ×Í¡â´Â Bernadel »Õ1900 ·Ã§ Strad
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ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹àªç¡à¡èÒ Caspar Strnad Prague 1807
ÂÕèËéÍ: Caspar Strnad
ÃËÑÊ: VN018A
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äÇâÍÅÔ¹àªç¡à¡èÒ Caspar Strnad Prague 1807
·Óâ´ÂªèÒ§äÇâÍÅÔ¹½ÕÁ×Í´ÕªÒÇàªç¡ áËè§àÁ×ͧ»ÃÒ¡ ¼ÅÔµã¹»Õ 1807 ÊÀÒ¾ 99%
ÊÀÒ¾¢Í§äÇâÍÅÔ¹¹Ñ鹶×Íà»ç¹ÊÔè§ÊÓ¤ÑÍÂèÒ§ÂÔè§ÊÓËÃѺ¼Ùé·Õè«×éÍäÇâÍÅÔ¹à¡èÒ ËÒ¡µéͧ¡ÒÃÊͺ¶ÒÁ¢Íà·ç¨¨ÃÔ§à¡ÕèÂǡѺ¡Òë×éÍäÇâÍÅÔ¹à¡èÒ¨Ò¡»ÃÐà·Èã¹á¶ºÂØâû ·Ò§ÃéÒ¹ÂÔ¹´ÕãËé¤Ó»ÃÖ¡ÉÒ à¹×èͧ¨Ò¡ã¹»Ñ¨¨ØºÑ¹ÁÕ¡Òë×éÍ¢ÒÂäÇâÍÅÔ¹à¡èÒ¨Ò¡¤ÃÙ½ÙéÊ͹à»ç¹¨Ó¹Ç¹ÁÒ¡ÁÕ·Ñ駢ͧ¨ÃÔ§áÅлÅÍÁÍÂÙèã¹µÅÒ´ÁÒ¡ÁÒ ´Ñ§¹Ñé¹ËÒ¡äÁèá¹èã¨ÇèÒ¡ÒÃŧ·Ø¹¢Í§·èÒ¹ÊÁà˵ØÊÁ¼ÅËÃ×ÍäÁè¡ÃسҵÃǨÊͺ¡è͹¡ÒõѴÊÔ¹ã¨
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ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èÒ Labeled Iofredus Cappa in Saluzzio fecit Anno 1640
ÂÕèËéÍ: Caussin School
ÃËÑÊ: VN015A
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èÒ ÈµÇÃÃÉ·Õè19 Caussin School Mirecourt Labeled Iofredus Cappa in Saluzzio fecit Anno 1640
¨Ñ´à»ç¹äÇâÍÅÔ¹·ÕèÁÕàÊÕ§´ÕµÑÇ˹Öè§ «×è§ÁÕ¤ÇÒÁà¢éÁ¢é¹¢Í§à¹×éÍàÊÕ§·Õè˹ÒÁÒ¡ àËÁÒÐÊÓËÃѺ¹Ñ¡àÅè¹·ÕèÁÕ¤ÇÒÁµéͧ¡ÒäسÀÒ¾àÊÕ§·ÕèÊÒÁÒöºÃÃàŧà´ÕèÂǡѺǧ´ØÃÔÂÒ§¤ì áÅйѡÊÐÊÁ·Õèµéͧ¡ÒÃäÇâÍÅÔ¹à¡èÒÊÀÒ¾ 99% ÊÓËÃѺ¡ÒÃÊÐÊÁ
ÊÀÒ¾¢Í§äÇâÍÅÔ¹¹Ñ鹶×Íà»ç¹ÊÔè§ÊÓ¤ÑÍÂèÒ§ÂÔè§ÊÓËÃѺ¼Ùé·Õè«×éÍäÇâÍÅÔ¹à¡èÒ ËÒ¡µéͧ¡ÒÃÊͺ¶ÒÁ¢Íà·ç¨¨ÃÔ§à¡ÕèÂǡѺ¡Òë×éÍäÇâÍÅÔ¹à¡èÒ¨Ò¡»ÃÐà·Èã¹á¶ºÂØâû ·Ò§ÃéÒ¹ÂÔ¹´ÕãËé¤Ó»ÃÖ¡ÉÒ à¹×èͧ¨Ò¡ã¹»Ñ¨¨ØºÑ¹ÁÕ¡Òë×éÍ¢ÒÂäÇâÍÅÔ¹à¡èÒ¨Ò¡¤ÃÙ¼ÙéÊ͹à»ç¹¨Ó¹Ç¹ÁÒ¡ «Öè§ÁÕ·Ñ駢ͧ¨ÃÔ§áÅлÅÍÁÍÂÙèã¹µÅÒ´ÁÒ¡ÁÒ ´Ñ§¹Ñé¹ËÒ¡äÁèá¹èã¨ÇèÒ¡ÒÃŧ·Ø¹¢Í§·èÒ¹ÊÁà˵ØÊÁ¼ÅËÃ×ÍäÁè¡ÃسҵÃǨÊͺ¡è͹¡ÒõѴÊÔ¹ã¨
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èÒ Charles Resuche, No.74 Lyon 1897
ÂÕèËéÍ: Charles Resuche
ÃËÑÊ: VN012A
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äÇâÍÅÔ¹½ÃÑè§àÈÉà¡èÒ Charles Resuche, Eleve de Gand et Bernardel No.74 Lyon 1897 ÇÒ¹ÔªÊÕá´§ Style ¢Í§ Resuche ·Ã§ Stradivari
Çѹà¡Ô´: 1858 ·ÕèàÁ×ͧ MIRECOURT
ªÕÇ»ÃÐÇѵÔ
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à¢Òà»ç¹ÅÙ¡ÈÔÉÂì¢Í§ Gabriel DIDION ·Õè MIRECOURT áÅÐà¢éÒÃèÇÁ Maison GAND & BERNARDEL ã¹»ÒÃÕÊËÅѧ¨Ò¡¡Òý֡ͺÃÁ¢Í§à¢ÒàÊÃç¨ÊÔé¹
ã¹»Õ ¾.È. 2439 à¢Òä´é¡è͵Ñé§âç§Ò¹ Passage de l'Arque ã¹àÁ×ͧ Lyon ÃèÇÁ ¡Ñº¨ÑʵԹ ÇÔ¡àµÍÃì ´ÔáµÃì à¾×è͹ÃèÇÁ§Ò¹¢Í§à¢Ò ¾Ç¡à¢ÒÍÒÈÑÂÍÂÙè·Õè¹Õèà¾Õ§ªèǧÊÑé¹æ áÅÐÂéÒÂä»ÍÂÙè·ÕèàÅ¢·Õè 69 ¶¹¹ÃÙ à´Í ÅÑÊàµÍൠÇÔÅÅì ã¹»Õà´ÕÂǡѹ¹Ñé¹
J. DITER à¢éÒÁÒºÃÔËÒÃàÇÔÃ졪çÍ»¢Í§ A.M. ã¹à´×͹Á¡ÃÒ¤Á ¾.È. 2440
ÃÔàªÅÁìã¹ÁÒÃìà«Âì ËØé¹Êèǹ·Ñé§Êͧá¡·Ò§¡Ñ¹ ªÒÃìÅÊì àë٪¨Ö§ÂéÒÂ仺ÍÃìâ´«ì áÅÐà¢éÒÃѺµÓá˹è§àÁ«§ àÍ¿./ àÁÂì¹ÕàÍÍ ã¹»Õ 1899
Charles R?SUCHE à¡ÉÕ³ÍÒÂبҡ¸ØÃ¡Ô¨ã¹»Õ ¾.È. 2456
áÁéÇèÒ R?SUCHE ¨Ðâ´´à´è¹ã¹ªèǧàÇÅÒ·ÕèÍÂÙè·Õè Maison GAND & BERNARDEL áµèà¢Ò¡çÂѧⴴà´è¹ã¹àÃ×èͧ ÊäµÅìÊèǹµÑÇÍѹá¢ç§á¡Ãè§ «Öè§àÃÒ¾ºàËç¹ÍÔ·¸Ô¾Å¨Ò¡ ¡ÒÃÃèÇÁ§Ò¹¢Í§à¢Ò¡Ñº J. DITER
áÁéÇèҼŧҹÊèǹãËè¢Í§à¢Ò¨Ðà¤Å×ͺà§Ò·Ñé§ËÁ´áÅÐä´éÃѺáç ºÑ¹´ÒÅ㨨ҡ Stradivari áÅÐ Guarneri à»ç¹ËÅÑ¡ â´Â·Ó¨Ò¡ÃØè¹ ¢Í§à¢Òàͧ áµè¡çÂѧÁÕäÇâÍÅÔ¹ËÒÂÒ¡ÍÕ¡äÁè¡ÕèµÑǨҡÂÕèËéÍ Í×è¹ «Ö觼ÅÔµ¢Öé¹µÒÁ¨ÔµÇÔÒ³¢Í§¡ÒÃàÅÕ¹Ẻ
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1897 No. 74 (äÇâÍÅÔ¹), 1900 ËÁÒÂàÅ¢ 99 (äÇâÍÅÔ¹), 1900 No. 103 (äÇâÍÅÔ¹),1902 No. 121 (äÇâÍÅÔ¹), 1904 No. 132 (àªÅâÅ), 1912 No. 197 (äÇâÍÅÔ¹)
ÊÀÒ¾¢Í§äÇâÍÅÔ¹¹Ñ鹶×Íà»ç¹ÊÔè§ÊÓ¤ÑÍÂèÒ§ÂÔè§ÊÓËÃѺ¼Ùé·Õè«×éÍäÇâÍÅÔ¹à¡èÒ ËÒ¡µéͧ¡ÒÃÊͺ¶ÒÁ¢Íà·ç¨¨ÃÔ§à¡ÕèÂǡѺ¡Òë×éÍäÇâÍÅÔ¹à¡èÒ¨Ò¡»ÃÐà·Èã¹á¶ºÂØâû ·Ò§ÃéÒ¹ÂÔ¹´ÕãËé¤Ó»ÃÖ¡ÉÒ à¹×èͧ¨Ò¡ã¹»Ñ¨¨ØºÑ¹ÁÕ¡Òë×éÍ¢ÒÂäÇâÍÅÔ¹à¡èÒ¨Ò¡¤ÃÙ¼ÙéÊ͹à»ç¹¨Ó¹Ç¹ÁÒ¡ «Öè§ÁÕ·Ñ駢ͧ¨ÃÔ§áÅлÅÍÁÍÂÙèã¹µÅÒ´ÁÒ¡ÁÒ ´Ñ§¹Ñé¹ËÒ¡äÁèá¹èã¨ÇèÒ¡ÒÃŧ·Ø¹¢Í§·èÒ¹ÊÁà˵ØÊÁ¼ÅËÃ×ÍäÁè¡ÃسҵÃǨÊͺ¡è͹¡ÒõѴÊÔ¹ã¨
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹àÂÍÃÁѹà¡èҷç David Hopf Rep.Circa 1900
ÂÕèËéÍ: David Hopf Replica
ÃËÑÊ: VN003A
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äÇâÍÅÔ¹àÂÍÃÁѹà¡èҷç David Hopf Rep. Circa 1900
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹àÂÍÃàÁѹà¡èҷç David Hopf Rep. Stettin 1874
ÂÕèËéÍ: David Hopf Replica
ÃËÑÊ: VN006A
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äÇâÍÅÔ¹àÂÍÃÁѹà¡èҷç David Hopf Rep. ¼ÅÔµâ´Â Adolf Pfretzschner áËè§àÁ×ͧ Stettin ¼ÅÔµã¹»Õ 1874
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